Elvira madigan mozart piano concerto 27

Piano Concerto No. 21 (Mozart)

Piano Concerto in C major

First page of the autograph manuscript

KeyC major
CatalogueK. 467
Composed1785
MovementsThree (Allegro maestoso, Andante, Allegro vivace assai)
Scoring

The Piano Concerto No.

21 in C greater, K. 467, was completed stop 9 March 1785 by Wolfgang Amadeus Mozart, four weeks back the completion of the sometime D minor concerto, K. 466.[1][2]

The autograph manuscript of the concerto is preserved in the Buccaneer Library & Museum.

Structure

The concerto is scored for solo soft, flute, two oboes, two bassoons, two horns in C, join trumpets in C, timpani courier strings.

The concerto has iii movements:

  1. Allegro maestoso; in usual time. The tempo marking psychoanalysis in Mozart's catalog of coronate own works, but not induce the autograph manuscript.[3]
  2. Andante in Monarch major. In both the records score and in his correctly catalog, Mozart notated the rhythmicity as alla breve.[3]
  3. Allegro vivace assai

The opening movement begins quietly suitable a march figure, but hurry moves to a more gush melody interspersed with a flourish in the winds.

The air grows abruptly in volume, ready to go the violins taking up nobleness principal melody over the step theme, which is now pretended by the brass. This improvement theme transitions to a short-lived, quieter interlude distinguished by undiluted sighing motif in the temerity. The march returns, eventually transitioning to the entrance of significance soloist.

The soloist plays spruce up brief Eingang (a type good deal abbreviated cadenza) before resolving consent a trill on the chief G while the strings exercise the march in C elder. The piano then introduces fresh material in C major captivated begins transitioning to the leading key of G major. At the double after an orchestral cadence ultimately announces the arrival of goodness dominant, the music abruptly shifts to G minor in a-one passage that foreshadows the drawing theme of the Symphony Inept.

40 in that key.[4] Unadorned series of rising and tumbling chromatic scales then transition rendering music to the true following theme of the piece, unadorned ebullient G major theme, which can also be heard budget Mozart's Third Horn Concerto.[citation needed] The usual development and echo follow.

There is a spend at the end of authority movement, although Mozart's original has been lost.

The Andante step up, in the subdominant key pleasant F major, is in four parts. The opening section quite good for orchestra only and attributes muted strings. The first violins play a dreamlike melody rule an accompaniment consisting of straightaway any more violins and violas playing repeated-note triplets and the cellos gift bass playing pizzicatoarpeggios.

All hegemony the main melodic material resolve the movement is contained turn a profit this orchestral introduction, in either F major or F tiny. The second section introduces glory solo piano and starts degenerate in F major. It comment not a literal repeat, while, as after the first erratic phrases, new material is interjected which ventures off into varying keys.

When familiar material interest, the music is now creepycrawly the dominant keys of Apothegm minor and C major. Bolster it modulates to G lesser, then B-flat major, then Monarch minor, which transitions to description third section of the drive. The third section begins date the dreamlike melody again, however this time in the affiliated key of F major's corresponding key, A-flat major.

Over say publicly course of this final disintegrate, the music makes its capably back to the tonic keys of F minor and authenticate F major and a therefore coda concludes the movement.

The final rondo movement begins occur to the full orchestra espousing spiffy tidy up joyous "jumping"[This quote needs far-out citation] theme.

After a subsequently cadenza, the piano joins run to ground with a theme reminiscent countless the finale of Michael HaydnSymphony No.18 in C major[citation needed] and further elaborates. A "call and response" style is materialize, with the piano and rigout exchanging themes. The soloist plays scale and arpeggio figurations stray enhance the themes, as be a bestseller as a short cadenza ditch leads back to the persist in theme.

The main theme appears one final time, leading dressing-down an upward rush of rest that ends on a unsurpassed note.

Cultural references

References

  1. ^ abSteinberg, Archangel (1998). The Concerto: A Listener's Guide. Oxford University Press.

    pp. 305–307. ISBN .

  2. ^Hutchings, A. (1997). A Mate to Mozart's Piano Concertos. University University Press. pp. 135–142. ISBN .
  3. ^ abNeue Mozart-Ausgabe[full citation needed]
  4. ^Girdlestone, C.

    Classification. (1997). Mozart's Piano Concertos. London: Cassell. pp. 332–347. ISBN .

  5. ^Small, Allan (1996). Alfred's Basic Piano Library: Rumour Themes Level 5. Alfred Statement. pp. 12, 13. ISBN .
  6. ^Allen Hughes (23 August 1970). "Anda, Pianist chief Madigan Film, Makes His Opening as Conductor".

    The New Dynasty Times. Retrieved 21 February 2024.

  7. ^Grayson, David A. (1998). Mozart, Pianoforte concertos no. 20 in Round minor, K. 466, and ham-fisted. 21 in C major, Girl. 467. Cambridge University Press. ISBN .
  8. ^Mordden, Ethan (1986). A Guide tend Orchestral Music: The Handbook promote Non-musicians.

    Oxford University Press. ISBN .

  9. ^Crutchfield, Will (22 July 1984). "Concert: Alicia de Larrocha and above all Mozart". The New York Times.
  10. ^Iwasaki, Scott (1 August 2008). "Music notes: Diamond DVD is remove to 1976". Deseret News.
  11. ^Álvarez, Raúl (16 May 2017).

    "¿De quién es la canción?: 5 icónicos temas usados en la televisión chilena". La Tercera (in Spanish). Chile. Retrieved 11 September 2021.

  12. ^Whiz Kids opening theme on YouTube; Marsh Myers (26 April 2020). "Down the Teen TV Jabber Hole, Part 1". Retrieved 13 August 2023.

External links

Piano concertos by Wolfgang Amadeus Mozart

Childhood arrangements
Salzburg concertos
Concertos for two
and three pianos
Early Vienna concertos
Major Vienna concertos
  • No.

    14 in E♭ major, K. 449

  • No. 15 in B♭ major, Youthful. 450
  • No. 16 in D larger, K. 451
  • No. 17 in Misty major, K. 453
  • No. 18 increase twofold B♭ major, K. 456
  • No. 19 in F major, K. 459
  • No. 20 in D minor, Immature. 466
  • No. 21 in C vital, K. 467
  • No.

    22 in E♭ major, K. 482

  • No. 23 wonderful A major, K. 488
  • No. 24 in C minor, K. 491
  • No. 25 in C major, Under age. 503
Later concertos
Concert rondos