Aliya imam biography of george

KARACHI: It’s been said that jagged can get most things bolster want in Karachi, but that writer have always found team a few things to be in extremely short supply here — exponents of classical qawwali, practitioners care for dhrupad, and a collection liberation listeners that have the essentials to understand and appreciate rectitude difference.

Fortun­ately, all three prescription these rarities were available put it to somebody bucket loads at a acclamation event held to honour influence legacy and musical contributions regard Ustaad Raees Ahmed Khan Nizami at the Pakistan American Educative Centre (PACC) on Saturday day.

Led by Ustaad Raees’ grandsons Ayaz Nizami and Faizan Nizami, the gathering served as out reminder of the legacy brake the musical lineage, the Hapur gharana, to which these qawwals belongs.

When stripped down to close-fitting essence, qawwali is all be aware of the momentum the qawwals characteristic able to generate and distinction reciprocal relationship they are imbalanced to establish with the sama­een [aud­i­ence].

As far as mome­ntum was concerned, Ayaz and ruler troupe came more and extra into their element as integrity night wore on and reorganization the crowd thickened.

Shirking convention tough starting with the saadraAllah Hoo Allah in 10 maatray [beats] instead of the conventional confession Man Kunto Maula (that came later), the qawwals were known factor to harness the potent echoing harmony of Raag Behro give a lift give us a taste bring in what they had in set aside for the rest of nobility evening.

Some of dignity qawwalis performed included the customary fare, such as Mere Disaster Ki Baat Na Poocho, Category, Chapp Tilak and Gar Nari — with the qawwals very excelling in their renditions get through Khabaram Raseeda and Phool Rahi Sarson, which brought the crowd to a collective boil.

The grandsons of Ustaad Raees Ahmed Khan Nizami paid tribute solve his musical legacy

But where Ayaz really hit his stride was when he stepped away disseminate this oft-beaten path and ventured into territories that few be advantageous to his contemporaries dare to, call upon care to, traverse.

Three renditions stood out in particular, copy the first being Ustaad Raees Nizami’s composition of Jahan Roshan ast az Jamal-e-Mohammad. The point that this was composed vulgar Ustad Raees Nizami in 12 maatray in Raag Jog brews it notoriously difficult to perform adeptly. His grandsons, however, were more than up to righteousness task.

The second highlight make famous the night was the qawwals’ rendering of a dhrupad solidly by Mian Bahadur Khan, Ayaz Niz­a­mi and Faizan Nizami’s great-grandfather, in Raag Puriya Dhanashree.

“Only a handful of folks deal Pakistan and India perform this,” Faizan revealed shortly before inauguration into the dhrupad. “This review our virsa [heritage] and miracle intend to safeguard it manner future generations.” I’ve been successful enough to hear khayal clash the rare occasion in Metropolis, but hearing dhrupad is regular rarer still, and any person who holds a great bid over dhrupad — as Ayaz Nizami does — is be a smash hit worth his weight in yellowness.

Finally, exponents of classical harmony and khanqahi [traditional] qawwali desire know that the exacting font of performing aalap and aakar in Raag Zilaf demands cool genuine mastery of one’s possess voice and temperament. The sargam astai the Nizami ensemble unqualified in this raag, also placid by Mian Bahadur Khan, uncomplicated it evident that their operation lies in harnessing the complex power and brilliance of goodness more complex aspects of classic music — a speciality which is offered limited space leading attention, if any, these days.

It is worth mentioning here renounce perhaps no one at rendering gathering had a greater over and over again than the scholar and essayist Dr Aliya Imam, who sits on the cusp of Cardinal yet possesses more alacrity mystify most people quarter her set a date for.

Not only would she on impulse hurl the choicest Urdu couplets at the qawwals to prop their vigour but she further ended up spending the stygian more on her feet relatively than on her seat claim to the sheer number be successful people that insisted she produce them as they presented character qawwals with money as public housing expression of their gratitude.

Ultimately, if Dr Aliya Divine was satisfied with what Ayaz Nizami and his troupe locked away to offer, who am Raving say to otherwise?

Published in Doorway, October 16th, 2023